I’m ChaeHyun (Bona) Hwang, a visual storyteller working across photojournalism, documentary photography, visual anthropology, and cultural branding in Korea, Japan, and the United States.
As a curiosophile, I use photography to pursue simple but persistent “whys.” Grounded in a visual anthropological approach, my work examines how history, identity, and memory are lived and expressed across different cultures—through political demonstrations, rituals, and everyday scenes. I aim to create images that do more than document: images that pause audiences, invite reflection, and communicate with clarity and trust.
Through long-term documentary projects, student journalism, and archival exhibitions across East Asia and the U.S., I translate complex social narratives into compelling visual stories. Working across shooting, editing, curating, and archival restoration, I approach photography as both research and communication—one that carries ethical responsibility and impact.
Whether using analog film or digital media, my focus remains consistent: crafting honest, human-centered images that connect people to ideas, communities, and brands with depth rather than noise.
“If your pictures aren’t good enough,
you’re not close enough.”
Robert Capa
Awards and Honors
2024 IPA, Event-Social Cause, 3rd Place, “The Pride March.”
2024 IPA, Traditions and Cultures, Honorable Mention, “Sacred Ritual.”
2025 IPA, Architecture-Historic, Honorable Mention, “Symmetric World.”
2025 IPA, Press-Political, Honorable Mention, “Save Korea 2025.”
2024 IPA, Analog / Film-Landscape, Official Selection, “The Green in the Black and White.”
2024 IPA, Editorial / Press-War / Conflict, Official Selection, “Tunnel of Sorrow.”
2024 Scholastic Awards / Photography, Gold Key, “Three Girls in the Rain.”
2024 Scholastic Awards / Photography, Gold Key, “The Pride March.”